Girlhood to Release New Single ‘Picnic’ on Thursday, October 8th
Girlhood, OK!Good Records’ latest UK-based signing, will release their second single ‘Picnic’ Thursday, October 8th ahead of their forthcoming record This Will Make Sense In The End out Thursday, November 5th. The indie-pop band made their debut on the label with ‘Lemon Aid’ on August 20th, which was a sparkling introduction to their warm, vintage sound and vocalist Natalie Holmes’ stunning, spirited vocals.
While ‘Lemon Aid’ was an invitation to surrender to the moment – to dance until the weight lifts, creating a pocket of escapism where everyday worries dissolve into golden light, laughter and the comforting promise that things might just be okay – ‘Picnic’ offers that same sense of escape, but this time, the sunshine it transports you towards conceals something far more bittersweet.
On the surface, ‘Picnic’ is one of Girlhood’s lightest moments – built around loose rhythms, warm harmonies and a weightless summer feel. Underneath, the reality is considerably messier. Singer-songwriter Natalie Holmes uses food, appetite and the familiar rituals of a picnic as playful metaphors for desire, dating and the complicated things we’re led to believe we need and want in order to feel fulfilled.
That sharp contrast sits at the heart of the track. Difficult conversations are sugar-coated as Holmes’ lyrics weave through mellow piano, lush, layered harmonies and the sample-based production that has become central to their soulful, gentle pop sound. Adding to the track’s quintessential charm and laid-back groove, a chunky rhythm drives the song, while a floaty saxophone solo emerges midway through before fading into euphoria, creating a dreamy, golden world. Even the accompanying visuals lean into that juxtaposition, with a little chaos along the way before everything settles back down on the picnic blanket.
This Will Make Sense In The End marks a defining new chapter in the evolution of Girlhood. After watching Natalie Holmes perform in support of Jesca Hoop, Girlhood founder, producer and songwriter Christian Pinchbeck was immediately drawn to her distinctive voice and invited her to collaborate. What began as an instinctive creative partnership soon became something far more transformative: the return of a dynamic that felt both immediate and inevitable. After years of working remotely with friends-of-friends and guest vocalists, Girlhood once again felt like a unit.
Originally formed as Elephant before evolving into Girlhood, the band first received widespread acclaim for their 2014 debut album Sky Swimming, earning praise from outlets such as Clash and Pitchfork. Their wistful songwriting, vivid imagery, and understated emotional depth drew comparisons to artists such as Daughter and Camera Obscura, while several tracks found their way onto popular television series including Misfits and Lucifer, cementing the band’s reputation for creating music with a memorable and cinematic quality.
This Will Make Sense In The End was written during a period when Natalie’s relationship with dating, love and self-understanding had begun to dramatically shift. Entering her thirties introduced a new kind of clarity, but also a more complex uncertainty – the realisation that old romantic instincts no longer applied in quite the same way, that love could be exhilarating and damaging in equal measure, and that wanting something was not always the same as needing it. Her love and passion for food became intertwined with those themes, woven into songs about attraction, control, hunger, desire, and self-preservation.
Across This Will Make Sense In The End, food becomes both a recurring metaphor and setting. Picnics, lemonade, breakfast, fruit, desserts, dilution, and hunger recur like clues hidden in plain sight. The result is an album centredaround one relationship, but equally concerned with the emotional machinery surrounding it – the rituals, appetites, performances, and quiet negotiations involved in trying to love someone without losing yourself in the process.
Musically, the record began as an experiment: borrowing forgotten soul records and pushing them until they no longer behaved like samples. Rather than using them as nostalgic decoration, Girlhood reimagined them into entirely new rhythms, textures, and emotional landscapes. That process became the engine of the album. Songs drift between sample-rich, sunlit indie-pop and more fractured, unpredictable territory, moving effortlessly through sparse R&B, acoustic confessionals, and moments of cinematic emotional release.
For Girlhood, the album also tells a longer story. Natalie has been releasing music since the age of 18, while Girlhood’s debut album was originally written collaboratively before former vocalist Tiece departed on the day of its release. Since then, the project continued through a series of remote collaborations and guest vocalists. This Will Make Sense In The End feels like a reassembly – not a return to the past, but a rediscovery of what can happen when two people occupy the same room and allow ideas to unfold naturally.
The result is Girlhood’s most intimate and fully realised work to date: sample-driven indie-pop with soul running through its veins, rooted firmly in everyday life and written with the perspective of someone still piecing together what it all means. With This Will Make Sense In The End, Girlhood refine their unmistakably cinematic sound while embracing a newfound warmth, vulnerability, and emotional confidence.
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‘Lemon Aid – Single’
