Janet Devlin Returns with ‘Diane’ – A Sharp-Witted Tale of Rumors, Scandal and Small-Town Life
Following the release of her timely and powerful anthem ‘Working For The Man’, Irish singer-songwriter Janet Devlin returns with ‘Diane’ today, June 30th, a riotous, rock-tinged tale of small-town gossip, scandal and the speed at which rumours can spread. The track blends classic country storytelling with her own sharp wit and modern edge, which grew from a throwaway punchline into one of Devlin’s most infectious and entertaining songs to date. Bursting with playful Nashville energy, ‘Diane’ is a tongue-in-cheek anthem that captures the chaos, curiosity and community spirit of village life.
Written with longtime collaborator Ian Barter, co-produced alongside Jürgen Korduletsch and Rick Chambers, and mastered by Christian Wright at Abbey Road Studios, ‘Diane’ sees Devlin lean into a grittier, more raucous side of her Americana sound. Driven by a brooding electric guitar riff, crashing drums and an irresistible sense of momentum, the track balances sharp humor with compelling storytelling. Devlin’s twang-infused vocal performance brings the song’s central character vividly to life, drawing listeners into a whirlwind of whispers and speculation, all delivered with the self-aware charm that has become a hallmark of her songwriting.
The song was inspired by the lyric, ‘her real name’s Anne, but I say go die Anne,’ which emerged at the end of a writing session with Barter. What began as a small humorous concept soon evolved into a fully realized narrative, with the pair building the track around the lyric piece by piece. Drawing from her own experience growing up in a close-knit rural community, Devlin uses ‘Diane’ to explore her fascination of the local gossip mill.
Janet shared:
‘The approach that I landed with lyrically was the one I could relate to the most. The small town gossip mill and how quickly rumours/news will spread. Growing up in a super small village, I’ve seen it happen in real time – it’s pretty impressive how fast news can travel! I thought it’d be funny to start the track with what most people do before they spill the tea. The ‘I swear I’m not a bad person’ preamble. Where I’m from, it always starts with ‘God forgive me but…’. It felt much more apt on this one, as it’s about a woman, to assure the listener that I myself am not anti-woman. Explain to everyone that I am a feminist…to an extent, and that doesn’t extend to her!
‘Morally, I’d like to say I avoid gossip. But if I’m being honest, with the wonders of technology, I can watch on the sidelines with popcorn and my Facebook account. Every town has a Diane, and mine is no different. Every so often there’s a post (or ten), not so subtly spilling the tea. That sends me off on a little rabbit hole trying to put the pieces together. Who needs Netflix true crime docs when you can do your own detective work at home!”
Recorded at Blackbird Studios in Nashville, Tennessee, the track’s off-kilter, almost theatrical arrangement developed naturally during the recording process. According to Devlin, capturing the song’s restless energy was more important than chasing technical perfection, resulting in a recording that feels spontaneous, lively and full of character.
Janet reflected on the recording process and how the song translated from the stage to the studio:
‘The band, as always, were amazing. On this one, the energy of the playing takes precedence over perfection. The only notes I gave to the band were ‘have the craic’ and ‘make it sound like the intro to an early 2000’s Adam Sandler film’. I think they nailed it on both! It’s not a long song, so we didn’t have to worry too much about the dynamics. The track only has one speed, and it’s ‘GO!’ which I absolutely love. I love it so much that I tend to open or close a lot of my gigs with it, and the crowds seem to love its energy as much as I do. I even manage to encourage some pretty decent audience participation on the ‘Go! Go! Go Dianes!”
With ‘Diane’, Devlin continues to cement her growing reputation within the Americana and country worlds, showcasing a distinctive blend of sharp songwriting, infectious melodies and authentic storytelling. As momentum continues to build, she is set to bring her acclaimed live show to audiences across Ireland and the UK throughout the summer.
Upcoming appearances include an interview and performance on Virgin Media’s Six O’Clock Show with RTÉ in Dublin on June 30th, followed by an acoustic performance at the renowned Ruby Sessions in Dublin the same evening. Further dates include festival appearances at Rock & Ribs Festival (July 18th), Belladrum Festival alongside the likes of Callum Beattie and Mika (July 30th), and Country Calling (August 16th).
“Diane” arrives hot off the heels of 2025’s ‘Not My First Emotional Rodeo’ – a captivating deluxe edition of her critically acclaimed album ‘Emotional Rodeo’. Building on the original’s success, which topped the iTunes Country Chart and garnered widespread radio support and glowing press, the expanded collection further secured Janet’s reputation as one of the most distinctive voices in the UK country and Americana scene. The album includes the flyaway hit single “Houston”, which was added to the BBC Radio 2 playlist and an acoustic reimagining of Kenny Rogers’ “The Gambler”, recorded at George Ezra’sstudio, Hotel Quebec.
Released in November 2024, ‘Emotional Rodeo’ was a major success, cementing Janet’s prominent place in the country-rock scene. The album reached #1 on the iTunes Country Chart, #4 on the UK Official Country Artists Albums Chart, #5 on the UK Official Indie Breakers Chart, and #21 on the UK Official Independent Albums Chart. Janet appeared for a session on The Scott Mills Radio 2 Breakfast Show ahead of C2C Festival and has received praise from the likes of Russell Crowe, who previously took her on tour and continues to applaud her talent – comparing her to Stevie Nicks and admiring her ability to be both “ethereal” and “very direct” on stage.
‘Devlin has crafted a sound that’s both nostalgic and fresh’ – Maverick Magazine
‘Giddy Up! Janet Devlin reborn as country contender’ – Garry Bushell, Express
“Devlin’s lyrics are clever and relatable” – The Upcoming
“Enchanting vocals” – Sunday Mirror

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Live Dates
June 30th – Virgin Media’s Six O’ Clock Show with RTÉ, Dublin
June 30th – Ruby Sessions, Doyles, Dublin
July 18th – Rock & Ribs Festival, Shepton Mallet
July 30th – Belladrum Festival (supporting Callum Beattie & Mika), Inverness
August 16th – Country Calling, Writtle, Essex
October 3rd – Newcastle Cathedral, Newcastle
Also Available:

Working For The Man



















